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Brandon Schock

Brandon Schock

Brandon is a producer, audio engineer, multi-instrumentalist, and senior writer at Higher Hz, where he covers microphones, studio monitors, audio interfaces, and recording techniques.

Coming from humble beginnings, Schock began recording psychedelic bedroom pop with nothing except for GarageBand and the built-in microphone on his laptop as a teenager.

While he's since upgraded his recording setup, Brandon still has a proclivity to work through the confines of limitation.

His music is spasmodic, distorted, and restless, often taking inspiration from artists such as Cornelius and The Beach Boys.

Over the years, he's gained a vast amount of experience recording, writing, and performing with local groups and fellow artists such as Petty Walker, and Windy 500.

When it comes to gear, Brandon has a particular fondness for several models and series of studio gear. He usually records through his Focusrite Clarett 8Pre, aided by his Beyerdynamic DT 770 Pro for tracking.

For microphones, the Electro-Voice RE20, Neumann KM 184, the AKG SE300 B (particularly when using the CK91 capsule), and Coles 4038 are worked to their limits in his studio.

He also has a soft spot for Adam Audio studio monitors, which he has been using for years.

In terms of preamps, Brandon has two favorites: the clean and transparent Focusrite ISA One and the warm and colorful Universal Audio Solo/610.

However, even though he has his mainstays in his arsenal, he's incessantly researching and trying to find hidden gems.

Still forever passionate about music, Brandon has recently dedicated himself to writing about the latest innovations in audio technology, while keeping busy with his own projects and passions.

Samson SR850 review: Worth the money?

In this review, I’ll be testing the Samson SR850 semi-open back studio headphones and comparing them to several of their competitors.

These aren’t very popular, but I’m hoping to find a reason for why the opposite should be true.

Arturia AudioFuse 8Pre review

Arturia’s AudioFuse range of interfaces has been almost universally well-received since launch. In this review, I’m looking at the AudioFuse 8Pre, which is the rack-mount/desktop model; and it’s stunning.

Focusrite Scarlett Solo 3rd Gen review

The Scarlett Solo has proven to be exceedingly popular among entry-level musicians, and each new iteration has steadily improved upon the former’s successes. Let’s see if the third generation follows suit.

Focusrite Scarlett 18i8 3rd Gen review

With every release, the folks at Focusrite have steadily improved nearly every aspect of their product’s performance.

The third generation of the Scarlett 18i8 was released a little over five years ago and the unit still stands as one of the best interfaces on the market. Let’s take a look at what might make this such a great product.

How to record vocals at home in 5 simple steps

Vocals are undoubtedly the bedrock of most popular music. For as long as humans were capable of communicating at all, the voice itself has been one of the greatest tools we have at our disposal. So, it’s imperative that we record vocals with the utmost respect and due diligence we can muster.

Beyerdynamic DT 240 Pro review

Beyerdynamic’ DT series consists of some of the most popular headphones choices in the professional market to date, leaving the DT 240 Pro with some fairly big shoes to fill. Do they live up to their namesake?