If you produce music, learning how to use compression isn’t optional. This is not a tool to embellish your tracks – it’s an effect that can drastically shape the vibe of a composition and bring to life a cohesive and professional mix.
Since the early 90s, Pro Tools has been the essential tool of successful recording studios, revolutionizing how artists make music and opening the door to a new era, where iconic instruments and effects are just a click away.
The role of a music producer has always been quite fluid. Working behind the scenes, shaping and transforming songs so that they’d be successful but also in line with the artist’s vision: a producer is a master in balancing creativity and business, always remembering that the audience, of today and tomorrow, will be the ultimate judge of their work.
Normalizing tracks has been a common practice among artists since the dawn of DAWs, but with the advent of streaming platforms and the subsequent loudness standardization, as well as new, less invasive ways to make tracks louder, you might wonder whether it’s still worth it normalizing your tunes before publishing them.
Imagine sound as a pulsating wave, traveling through air and bridging the gap between its original source and your ear canal, where it’s captured and decoded by your brain.
The science behind the sonic realm is as fascinating as it is articulated, and one of the most fundamental concepts in the field is the role of hertz and frequency in sound. These are the building blocks of not just music, but the way we perceive audio in all its forms.
Whether you’re setting up your first recording studio, home theater or hi-fi system, you’ll probably have to do some research on the best speakers that can help you create the perfect environment for your creativity or entertainment.
That’s when you’ll come across the terms “studio monitor” and “hi-fi speaker” and wonder: aren’t they the same thing?