In a world where you can make music with an average laptop, tablet, or even smartphone, having a high-quality desktop computer not only shows your commitment, but will most likely lead to more sophisticated and ambitious music production, thanks to the power and speed these machines offer.
In this review, I’ll be looking at the Neumann U 87 Ai condenser microphone. This is the updated version of the original U 87, which had its debut in 1967.
Cockos Reaper has been around for almost two decades, making it one of the well-established DAWs in music production.
Yet it always seems to be scoffed at when compared to Logic, Ableton, Pro Tools, and other seemingly more professional workstations. Why’s that?
While there are some reasons you might want to stay away from it, Reaper is also a resourceful workstation that packs a punch.
In this review, I’ll be taking a look at the Lewitt LCT 240 Pro condenser microphone. Lewitt is a great company, and I’ve come to expect some truly fantastic products from them over the years. Without further ado, let’s get started.
When it comes to drum machines, none were more groundbreaking than Roger Linn’s Linn 1980 LM-1. Everyone from Prince to Phil Collins used an LM-1 in the 80s; everyone since has been looking for ways to recreate that iconic sound.
In this article, I’ll be reviewing the AKG C451 B small-diaphragm condenser microphone.
This is a revamping of the original model, the C451, and AKG has made some modest changes to the overall design and performance.