In this review, I’ll be looking at the Coles 4038 studio ribbon microphone. This is a legendary mic which has been used in the recording industry for decades.
I’ll be examining the microphone’s key features and capabilities, as well as its suitability for various recording applications.
What do concertgoers, musicians, audio engineers, music photographers, and those dealing with snoring partners have in common? That’s right, they should all use earplugs!
For years, Focusrite has held its spot as the forerunner of budget-level audio interfaces. The Scarlett, in particular, has reigned supreme since it hit the shelves back in 2011.
Now, Focusrite is launching the fourth generation of the beloved interface, once again aiming to keep their place at the top of the heap. Let’s take a deeper look and see what it has to offer, as well as how it contrasts with its predecessors.
Since 2001, Telefunken has been manufacturing high-end microphones out of South Windsor, CT.
Not too long ago, the company released the M82, a large-diaphragm cardioid dynamic microphone designed for kick drums as well as broadcast vocals.
In this review, I’ll be taking a closer look at the M82’s overall performance in a variety of applications, as well as seeing how it stacks up against a few competing microphones.
Genelec is a company that needs little introduction. One of the leading loudspeaker manufacturers for about 40 years, Genelec’s long-standing dedication to innovation and sustainability has made the company a household name amongst engineers and audiophiles alike.
In this review, I’ll be taking a look at the 8351B SAMs, the sub-flagship of Genelec’s The Ones series.
Synth VST plugins are so good these days that they convert even the most ardent hardware purists to software enthusiasts.
Soft synths are generally a cheaper alternative to hardware, but that doesn’t mean they don’t get pricey. As always, I’ve got some recommendations for all budgets and a couple of freebies everyone should have.