The AKG K240 Studio have been something of a staple in the recording world for the past 20 years, but let’s see if they hold to today’s standards in the face of their new competition.
M-Audio’s Keystation range provides some of the best-selling MIDI keyboard controllers on the market.
The success of the Keystation range is primarily thanks to three defining characteristics: simple, reliable, and budget-friendly. You can go for 88, 61, or 49 keys, and there’s even a much smaller 32 mini-keys version.
In this review, I’ll be taking a look at the Tascam DR-05X stereo handheld recorder. This is a fairly popular option for beginner field recording artists, but is it worth it? Let’s get started and find out.
In this article, I’ll be reviewing the PreSonus AudioBox USB 96 audio interface. This is an entry-level interface, and modestly priced at under $100. Let’s see if it’s worth the expense.
Back in the 1980s, Yamaha came out with the NS-10. These monitors sounded absolutely horrible, but it was that exact reason that Yamaha found great success through their release. The short of it all was that they were harsh, brittle, but extremely accurate at showing sore spots and weaknesses in any mix.
Yamaha’s newer line of monitors, the HS5, are often compared to the NS-10, and for the most part, that comparison is fairly accurate.
It’s no secret that I’m a fan of Adam Audio monitors, and for good reason. Years ago, when the company was less well-known, their speakers were overpriced and didn’t sound nearly as good.
Today, however, 25 years later, the company has perfected their craft of churning out quality products at affordable prices, and I couldn’t be more grateful for that.