Whether you’re mixing down tracks in a professional studio or setting up a small home recording environment, having a solid pair of monitors is paramount.
Finding a microphone that can handle all the abuse of a live performance, as well as life on the road, while still capturing the full range of your voice, is one of the most important decisions a singer can make.
Making music on the go or with limited space is the norm for most musicians, which is why we love the portability of 25-key MIDI controllers.
In this review, I’ll be looking at the Coles 4038 studio ribbon microphone. This is a legendary mic which has been used in the recording industry for decades.
I’ll be examining the microphone’s key features and capabilities, as well as its suitability for various recording applications.
For years, Focusrite has held its spot as the forerunner of budget-level audio interfaces. The Scarlett, in particular, has reigned supreme since it hit the shelves back in 2011.
Now, Focusrite is launching the fourth generation of the beloved interface, once again aiming to keep their place at the top of the heap. Let’s take a deeper look and see what it has to offer, as well as how it contrasts with its predecessors.
Since 2001, Telefunken has been manufacturing high-end microphones out of South Windsor, CT.
Not too long ago, the company released the M82, a large-diaphragm cardioid dynamic microphone designed for kick drums as well as broadcast vocals.
In this review, I’ll be taking a closer look at the M82’s overall performance in a variety of applications, as well as seeing how it stacks up against a few competing microphones.